It doesn't happen very often, but I was touched by this film. It's not the first adaptation of the story that I've seen, but it sure is one of the best. In fact, only the silent version starring Lon Chaney beat this version. That version is of course an absolute masterpiece, but I easily dare to say this is one too. It doesn't strictly follow the original storyline as you know it but that alright. You're just staring at it with your mouth wide open (at least, I was...) Claude Rains is just perfect in his role as the phantom. Because of his flawless performance, you feel what he feels and you have get the idea you would take the same actions as he does in this movie. Rains plays Eric Claudin. A rather anonymous violin player in the famous opera of Paris. In all the years he worked there, he grew a strong passion and love for the young and talented singer Christine Dubois. He even wrote a concert for her. But, he's getting older and he gets fired. His only hope now to keep seeing Christine, is to sell his concert and let her sing the main voice. When he gets the idea a production company stole his music, he snaps and attacks a man. During the struggle, Claude gets mutilated horrible by burning acid. From then on he lives in the opera building does everything to make Christine a star...even if that means other people have to die in a brutal way. I can't praise this film enough. It's just perfect in my opinion. The acting, the story, the shock-effects and above all ...the wonderful music. I must admit, if you're not a big fan of opera music, this film will certainly be annoying to you. But hey, you can expect classical music in a version of Phantom of the Opera right ? If you can appreciate a bit of opera singing, this film will have another great extra value to you. I say SEE IT. My humble opinion on Phantom of the opera = 10/10 . A must see !!!
This is a reasonably pleasant remake of "Phantom of the Opera", but that is all. It's not exactly a remake, but more of a re-working of the story, as it bears less semblance to Gaston Laroux's novel than the original film--especially since all the back story they give about how the phantom came to be has NOTHING whatsoever to do with the original story. It's interesting but pays little respect to the source material.The movie is filmed in lovely 1940s Technicolor--not the most realistic, but bright and enchanting nonetheless. But color is NOT the biggest difference between this and the old Lon Chaney film. This new version has a huge emphasis on singing--with lots and lots and lots of music that will enchant opera fans and bore everyone else to death. I really hated the glossy production numbers--they were sumptuous BUT also got in the way of the story. For much of the film, the Phantom seemed ancillary at best--and was more a chance for the studio to show off Nelson Eddy and his co-star.As for the horror, it's so muted and uninteresting that I can scarcely call this a horror film! And, most disappointingly, when the big unmasking scene occurs, you see that the Phantom's face looks pretty nice--so why is the big idiot hiding it under a mask?! I saw nothing of the scary Lon Chaney in this silly Phantom!! I am a devout classic horror fan and really could have cared less about the film--and I felt frustrated that the film just wasn't scary or suspenseful--and that the Phantom really wasn't terribly important to the producers! To me, this film is like a cake from the average grocery store these days--it looks nice but tastes fake! By the way, although the original is by far the best, the early 1960s version by Hammer Films is greatly superior to this 1943 version. It ain't great, but IS still a horror film. Instead, the 1943 version seems too much like a glossier Jeanette MacDonald-Nelson Eddy film with another woman sitting in for Jeanette!!
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This excellent collection of satirical vignettes is my kind of movie - crazy, dark and comical, it goes any direction it wants and does not follow any rules. When we try to grasp for the meaning, it is like a ghost, a phantom that "leaves us with a wisp of vapor in our hands" and disappears - very much like the liberty, the freedom the humans try to find but instead could only see its phantom disappearing. The film follows many characters on its way shifting effortlessly and playfully from the central ones to the minor ones making minor ones the central and going back and forth from one time period to another. It opens in Toledo during the Napoleonic occupation then jumps to the modern day Paris. It could've gone anywhere and introduced me to any character - it still would've been enormously interesting because it was made by the master who had never lost his curiosity, his inquisitive mind, his memory that consisted of the strange and amazing images, his sense of humor, his childhood dreams, his fantasies, dark and shining and who was able to throw them all on the screen like no one ever was able or will be able to do. To understand Bunuel completely would be as impossible as to catch the Phantom of Liberty - he will be always one of the best and unsolved mysteries in the Art of Cinema.
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on lavatories round a dinner table on, occasionally retiring to a little room to eat.Luis Bunuel said, "Chance governs all things; necessity, which is far from having the same purity, comes only later. If I have a soft spot for any one of my movies, it would be for The Phantom of Liberty, because it tries to work out just this theme." I know I am in the minority, but I do not quite see the appeal of Bunuel's later films. I love his early work, such as "Age d'Or" and "un Chien Andalou", but the later more political films... I do not necessary appreciate them. This one and its partner, "Discreet Charm", I just cannot identify with... maybe a second viewing?
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